Posters in Amsterdam

June 29, 2011 by Jeremiah

Posters in Amsterdam

postersinamsterdam

Moving Design : 2011 Call

June 27, 2011 by Jeremiah

Moving Design : 2011 Call to Action
An Intervention on Bike Safety

md-activetrans-facilitatorannouncement-header

Every day in Chicagoland there are more than 800 traffic crashes. Of those, about 150 drivers will flee the scene. On average, Chicagoland has more than one traffic fatality every day. Another 24 people are seriously injured every day. Crashes cost the Chicago area resident $1,000 each year.

Most of these crashes are cars crashing into other cars, but these car crashes are not isolated events - many happen on streets filled with innocent passersby, pedestrians and bicyclists. These passersby are the people most vulnerable to serious injury and death.

Active Transportation Alliance. 2009.
Bicycle and Pedestrian Crashes in Illinois:
 2004-2007

This Summer, Moving Design will initiate their next call to action around bicycle safety in Chicago. Focusing on Logan Square and transforming it into Chicago’s first hub for safe, active mobility, where pedestrians and bikers rule. This community will serve as a model for other neighborhoods intent on improving quality of life, public safety and health, and community cohesion across the city.



Moving Design Summer 2011 from thirst / a design collaborative on Vimeo.

File Type @ Gallery 400

June 23, 2011 by Jeremiah

Plural is participating in Channel TWo / part of File Type exhibition at Gallery400

Basic RGB

Flash Required from Plural on Vimeo.

June 17 - July 30, 2011
Opening reception: June 17, 5-8pm
Gallery 400
400 S. Peoria Street
Chicago, IL

Kaugummi Books Retrospective

June 23, 2011 by Jeremiah

Kaugummi Books Retrospective
July 9 / 2011 / 6:00 – 9:00pm
@ Golden Age

kaugummi

Golden Age is hosting a retrospective of French publisher Kaugummi. Golden Age will display more than 70 zines from Kaugummi’s 7 year publishing history along with a retrospective book to be launched at the event. Publications from Kaugummi’s catalog will be available for purchase at the event. The event will include a drawing from frequent Kaugummi collaborator Félicia Atkinson.

2nd Biennial Exhibition

June 22, 2011 by Jeremiah

2nd Chicago International Poster Biennial
Thursday / July 14 / 2011 / 5:30pm
@ Harrington College

CIPB

Male

June 20, 2011 by Jeremiah

image

Collections @ CUAS

June 14, 2011 by Jeremiah

The Post Family : Collections
July 8th–August 27th

Chicago Urban Arts Society
2229 South Halsted
Chicago, IL 60608

Opening Reception
Friday, July 8th
 6pm–11pm

postoffice.thepostfamily

What’s My Line?

June 10, 2011 by Jeremiah

What’s My Line?
An Anonymous Group Exhibition Organized by Justin Thomas Schaefer
June 18 – July 16
whatsmyline

Opening Reception June 18 / 2011 / 6:00 - 9:00pm

@ Roots & Culture Contemporary Art Center
1034 n Milwaukee Ave.
Chicago, IL 60622
773-235-8874
www.rootsandculturecac.org
hours: Thurs. & Fri 4p-7p, Sat 12p-6p

Artists and Offset: An Interview with Alex Valentine

June 8, 2011 by Jeremiah

Alex Valentine

AV: I have a pliable approach to making images.  It starts with what’s at hand and what’s on my mind.  It’s a meandering approach that’s unfocussed but alert and open. I think that’s what gives it a varied look.  Something keeps it all strung together though.  Right now there’s a consistency in format and material… Full Interview here

Pia Howell @ Golden Age

June 6, 2011 by Jeremiah

Pia Howell
@ Golden Age
June 10 – July 10 / 2011

opening reception:
June 10 / 6:00 – 9:00

PiaHowell_CigaretteFilter

Golden Age is pleased to announce Cool Ranch, Pia Howell’s first solo exhibition. Howell uses a camera-less process to create photographs by manipulating raw, color-filtered light in a darkroom with stencils and transparencies. The resulting images have an austere simplicity recalling the iconography of logos and symbols.

These photographic works stem from an interest in mass produced and object specific patterns. Formally beautiful, yet anonymous, these seemingly familiar images simultaneously identify as fresh and classic. Working in the tradition of abstract photography, Howell’s colorgrams are not representative of reality—there is no photographic negative and no person, event or place to be captured—instead they point to the vastness of time itself.